The Snyder Cut — Zack Snyder’s original vision of 2017’s Justice League — will debut next year on HBO Max. Snyder’s film will surpass the film’s original runtime of two hours, with this new version potentially clocking in at nearly four hours long. That leaves plenty of room for unseen footage, deleted scenes, and underdeveloped characters to make their way back into the movie.

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Switchblade knives have been around for well over a hundred years, and they’re here to stay. They have become very popular with Law enforcement, Military Personnel, Emergency Medical Technicians, and many other professionssuch as Fisherman who used these almost exclusively for their ease of use with one hand while tending their nets from snags, minimizing their net damage and financial. I’ve been in the Navy for 17 years. I’ve been to Afghanistan and Iraq for a total of 8 combat deployments. The knives I used most while serving were a.redacted., which served me quite well for the majority of my first deployment until the torsion bar broke.The second knife from.redacted. saw 2 deployments, when it's coil spring broke in the middle of the second deployment. When renowned crime novelist Harlan Thrombey is found dead at his estate just after his 85th birthday, the inquisitive and debonair Detective Benoit Blanc is mysteriously enlisted to investigate. From Harlan's dysfunctional family to his devoted staff, Blanc sifts through a web of red herrings and self-serving lies to uncover the truth behind Harlan's untimely death.

That includes Cyborg’s discarded story arc. The beloved character, aka Victor Stone, was first introduced in Batman v Superman: Dawn of Justice and it made sense to develop his story further in Justice League. Instead, Cyborg’s role was reduced. The Snyder Cut may finally give fans the Cyborg story we needed all along.

Ray Fisher, who plays Cyborg, has always been a staunch supporter of the Snyder Cut. The actor praised the director on Twitter for allowing him input on Victor’s storyline. Fisher added a photo from an unreleased Justice League scene depicting Cyborg turning to look at himself, standing alongside his parents, presumably before his accident. The image is in black and white, though it’s unclear if the scene is a memory or a flashback.

The image Fisher shared isn’t new, but it suggests the Snyder Cut includes more details of Cyborg’s origin story and family dynamics. Fisher knows that there’s a lot more to Cyborg than in the 2017 cut of Justice League and the new version of the film may finally give fans what they’ve long craved to see.

In the comics, Cyborg’s parents, Silas and Elinore Stone, were scientists who subjected him to experiments that enhanced his intelligence. A lab incident saw Cyborg attacked by an inter-dimensional creature that killed his mother and left him near death. To save his son, Silas implanted several artificial limbs that included weapons systems and other cybernetic enhancement technology that turned him into a half-man, half-machine.

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Fisher's recent tweet suggests Cyborg will feature more prominently in the Synder Cut. After all, Cyborg was not only meant to appear in Justice League, but he was originally supposed to play a role in the solo The Flash movie. What’s more, Justice League would have helped launch Cyborg’s own solo movie, which was originally slated for release on April 3.

Back in 2018, Joe Morton, who was cast as Cyborg’s dad, said many of his scenes for Justice League were cut. This was also back when a solo Cyborg film was still on the table. Here’s what Morton told /Film:

“There was [more we shot]. They completely changed the story. Unfortunately, I can’t tell you what [the original story] is because that might end up being in part of the Cyborg movie. Yes, there was a big change once they decided that they were going to do the Cyborg film.”

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It’s possible some or all of these Cyborg scenes will make their way back into the Snyder Cut, which could then segue quite nicely into a solo film. That is, if Warner Bros. is still up for it. In any case, it leaves the door open for more Cyborg appearances in the DCEU.

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Zack Snyder’s Justice League comes to HBO Max in 2021.

Harlan Thrombey (Christopher Plummer) is a wildly successful mystery writer and he’s dead. His housekeeper Fran (Edi Patterson) finds him with a slit throat and the knife still in his hand. It looks like suicide, but there are some questions. After all, who really slits their own throat? A couple of cops (the wonderful pair of LaKeith Stanfield and Noah Segan) come to the Thrombey estate do a small investigation, just to make sure they’re not missing anything, and the film opens with their conversations with each of the Thrombey family members. Daughter Linda (Jamie Lee Curtis) is a successful businesswoman with a shit husband named Richard (Don Johnson) and an awful son named Ransom (Chris Evans). Son Walt (Michael Shannon) runs the publishing side, but he’s been fighting a lot with dear old dad. Daughter-in-law Joni (Toni Collette) is deep into self-help but has been helping herself by ripping off the old man. Finally, there’s Marta Cabrera (Ana de Armas), the real heroine of “Knives Out” and Harlan’s most trusted confidante. Can she help solve the case?

The case may have just been closed if not for the arrival of the famous detective Benoit Blanc, played by Daniel Craig, who spins a southern drawl and oversized ego into something instantly memorable. Blanc was delivered a news story about the suicide and envelope of money. So someone thinks this is fishy. Why? And who? The question of who brought in Blanc drives the narrative as much as who killed Harlan. Johnson is constantly presenting viewers with the familiar, especially fans of the mystery movie—the single palatial setting, the family of monsters, the exaggerated detective—but then he subverts them every so slightly, and it feels fresh. So while Blanc feels like a Poirot riff, Johnson and Craig avoid turning it into a caricature of something we’ve seen before.

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Craig is delightful—I love the excitement in his voice when he figures things out late in the film—but some of the cast gets lost. It’s inevitable with one this big, but if you’re going to “Knives Out” for a specific actor or actress, be aware that it’s a large ensemble piece and your fave may get short shrift. Unless your favorite is Ana de Armas, who is really the heart of the movie, allowing Johnson to imbue “Knives Out” with some wonderful political commentary. The Thrombeys claim to love Marta, even if they can’t remember which South American country she comes from, and Don Johnson gets a few razor sharp scenes as the kind of guy who rants about immigration before quoting “Hamilton.” It’s not embedded in the entire piece as much as “Get Out,” but this “Out” is similar in the way it uses genre structure to say something about wealth and social inequality. And in terms of performance, the often-promising de Armas has never been handed a role this big, and she totally delivers.